Mark Stock Studio

"Midnight in the Bathtub of Good and Evil" is a representation of a classic battle cast in mathematical terms. Armies of fluid face off across the battlefield. Plans are made and set into motion as time advances. Inevitably, all plans go to hell upon first contact with the opposition. Many warriors wind up encountering opposite-moving enemies and are diverted into a swirling dance. Structures of scales large and small are created in the ensuing chaos and no preference is shown for either side. Is this a slow cascading march toward homogenaity? What is lost or gained from this reductionist representation? Parallels seem to exist between free will en masse and the amoral advance of nature.